Showing posts with label romantic thriller. Show all posts
Showing posts with label romantic thriller. Show all posts

Monday, September 14, 2015

#FreeAudiobookListen - in today's updates, Jayne learns a scandalous secret kept between Eleanor and Celeste

Chapters 1.6 and 1.7 of the Forbidden audiobook are now posted on SoundCloud.

Click here to pick up listening at Chapter 1.6.

To start listening at the beginning of the story click here.

Expertly narrated by Karin Allers, who also narrated Passion, Power & Sin as well as Baby Talk, Forbidden: A Novel of Love & Betrayal is a romantic thriller about a young waitress in Kansas who is discovered by her long lost birth mother.  She's plunged into an scandalous adventure that takes her into European high society and eventually leads to a deadly, life-changing conflict.  London musician Adisha Kariyawasam has composed theme music which we believe perfectly fits the story.

Enjoy!

Wednesday, September 2, 2015

#FreeAudiobookListen - Two New Chapters of Forbidden Audiobook Now Posted on SoundCloud

Chapters 1.4 and 1.5 of the Forbidden audiobook are now posted on SoundCloud.

Click here to pick up at Chapter 1.4.

To start listening at the beginning of the story click here.

Expertly narrated by Karin Allers, who also narrated Passion, Power & Sin as well as Baby Talk, Forbidden: A Novel of Love & Betrayal is a romantic thriller about a young waitress in Kansas who is discovered by her long lost birth mother.  She's plunged into an scandalous adventure that takes her into European high society and eventually leads to a deadly, life-changing conflict.  London musician Adisha Kariyawasam has composed theme music which we believe perfectly fits the story.

Enjoy!

Monday, August 31, 2015

#FreeAudiobookListen - Chapter 1.3 of the Forbidden Audiobook Now Posted on SoundCloud

Chapter 1.3 of the Forbidden audiobook is now posted on SoundCloud.

Click here to listen (20 minutes).

To start listening at the beginning of the story click here.

Expertly narrated by Karin Allers, who also narrated Passion, Power & Sin as well as Baby Talk, Forbidden: A Novel of Love & Betrayal is a romantic thriller about a young waitress in Kansas who is discovered by her long lost birth mother.  She's plunged into an scandalous adventure that takes her into European high society and eventually leads to a deadly, life-changing conflict.  London musician Adisha Kariyawasam has composed theme music which we believe perfectly fits the story.

Enjoy!


Sunday, August 23, 2015

Forbidden: A Novel of Love & Betrayal Now Being Produced in Audio - LISTEN FREE!

I'm excited to announce today that Forbidden:  A Novel of Love & Betrayal, which I coauthored with romance author Devika Fernando, is now being produced as an audiobook.  In addition, the serial publication of Lust, Money & Murder Book 6 has been so successful with readers that we have decided to publish this new audiobook in a serial way, too, so my VIP Readers can listen free.  As each chapter or set of chapters is finalized, they will be uploaded to SoundCloud (note:  the free files will be deleted once the audiobook goes on sale).  The prologue and first few chapters are already posted (about 25 minutes worth of listening) - click here to get started.  If you are not already on my VIP Reader List, please sign up here.

Expertly narrated by Karin Allers, who also narrated Passion, Power & Sin as well as Baby Talk, Forbidden is a romantic thriller about a young waitress in Kansas who is discovered by her long lost birth mother.  She's plunged into an scandalous adventure that takes her into European high society and eventually leads to a deadly, life-changing conflict.  London musician Adisha Kariyawasam has composed theme music which we believe perfectly fits the story.

As new chapters are posted on SoundCloud, I will update you weekly at the same time I update the serial posting of Lust, Money & Murder Book 6, and will include a link so that you can take up listening right where you left off.

Have a great Sunday!



Sunday, March 15, 2015

Interview with Bestselling Thriller & Suspense Author Mike Wells

Translation:  Wild Child 3 is coming soon!
(Note:  This interview was conducted by Fiona Mcvie and posted on her blog, reposted by me with her permission)

Name: Mike Wells
Age: Let’s put it this way: When  I was a kid,  color TV was a big deal

Fiona:  Where are you from?
I call Nashville, Tennessee my hometown but did not actually move there until I was twelve, lived in Rochester, New York, Cleveland, Ohio and Wichita, Kansas before that.  My dad was in sales.  Now I split my time between Latvia, my wife’s home country, and Cyprus.

Fiona:  A little about your self and your education Family life etc.?

I was not a very good student, though I somehow managed to finish engineering school at Vanderbilt University and eventually got a Ph.D. in that field.  I became an entrepreneur and later, an “authorpreneur,” which is what I am now.

Fiona: Tell us your latest news?
My most recent release is a book I coauthored with bestselling romance author Devika Fernando.  It’s a romantic thriller series called Forbidden.  In a few weeks (early April) I will be releasing Book 3 of my Wild Chid sci-fi adventure series, the final book of the first trilogy.

Fiona: When and why did you begin writing?
I have been writing ever since I can remember, though did not seriously start with fiction until I was in my early twenties.  By “seriously” I mean trying to entertain readers (rather than just myself) and get my work published.

Fiona: When did you first consider yourself a writer?
If you mean a fiction writer, I did not consider myself a “real” writer until significant numbers of people started buying my books and giving them good reviews.  For me, this is the only way I would be comfortable giving myself that title, as least as a professional.

Fiona: What inspired you to write your first book?
Inspiration is a difficult thing for me to pin down, even now.  I really don’t know where a lot of my ideas come from or what makes me feel a burning desire to create a full-blown novel out of one.  Probably it has to do with a subconscious need to live out the issues the characters struggle with in the story.  That’s what a psychologist would say, I think.  A big part of it, though, comes from an idea that I think is original and one that my readers would like.

Fiona: Do you have a specific writing style?
Yes, I think I do.  My style seems to be unusually cinematic and engaging–readers often tell me that they can clearly visualize everything that’s happening my books and that they have a vivid experience in being in the hero’s or other characters’ shoes.  This is not merely a coincidence.  My writing journey progressed from short stories to screenplays to full-length novels, and the screenwriting experience in the middle had a major impact on my style.  Writing for the screen also required me to learn to create a lean, focused “unputdownable” story that keeps the audience or reader engaged at a very high level.  We live in a world where people have more and more distractions and options to entertain themselves–movies, TV, videoclips, music, social networking, gaming, etc. and its growing all the time.  Authors who write novels are competing with all of that, all of the time–if a story drags or meanders, people can just push a button and do something else.  You have to keep the reader nailed to the page at all times.

Fiona: Is there a message in your novels that you want readers to grasp?
No, I don’t consciously put “messages” in my books, as I think that would come off as preachy no matter how subtly I might try to do it.  I personally don’t like preachy stories.   That said, I am sure there are expressions of my views about life in my books, but they are there just because they’re there, and I would never try to summarize them outside of the story, that’s not my job.  My job is to write and the readers’ job is to analyze and interpret (if they see fit–most readers do not spend much time on that)

Fiona: Are your stories based on someone you know, or events in your own life?
Yes all my stories to some extent are based on my own experiences, places I have been and people I have known, but everything is heavily disguised, switched around, one bit taken from one place/person and another from somewhere else.  There are no “real” people or events in my books.  Everything is a fantasy, made up.

Fiona: What books have most influenced your life most? a mentor?
I don’t think there are any books or authors I could say influenced me the most.  A few that I think are masters of drama and storytelling (and this includes some screenwriters) are David Mamet, Rod Serling, Sidney Sheldon, Thomas Hardy, and Thomas Harris.

Fiona: Name one entity that you feel supported you outside of family members.
Interestingly, Dr. George Cook, my Ph.D. advisor and close friend, even though he is an engineering professor.  He has always appreciated my fiction writing ability and been a great source of support.

Fiona: Do you see writing as a career?
It already is for me, yes.  I make a full-time living from my fiction writing now, which to me, is pretty amazing, considering how long it took me to get here (20 years).

Fiona: If you had to do it all over again, would you change anything in your latest book?
Nope.  Once they are done, they are cast in stone.  I move on and do not look back, though I often take reader feedback and incorporate it into the next book.

Fiona: Is there anything you find particularly challenging in your writing?
As I said before about reader engagement, keeping the story tightly focused and moving relentlessly forward is always a challenge.  To make each book “unputdownable,” so to speak.  Also, weaving in subplots into the main plot can involve a lot of cursing and hair-pulling (this is why I don’t have much hair left).  In general, it is a big challenge to write a very lean, focused stories and cut out everything that is not relevant in some way to the tales I’m telling.  I think most newbie writers tend to go off on tangents and get excited about putting a whole lot of stuff (description, characterization, etc.) that simply doesn’t need to be there and actually hurts the overall impact of the story (waters it down and bores readers) rather than making it better.  I know I did.  “Less is more” is my mantra these days, but of course you can’t take this too far or the style will be too bland.  Striking a good balance is the key.

Fiona: Do you have to travel much concerning your book(s)?
No.  I wish I did!  I am part of the new digital-only breed of author now.  While this is helpful for reaching readers all over the world, the downside is that I have very little face-to-face contact with readers and other authors, only chatting via social networks.  It’s just not the same as face-to-face contact.  I miss that.  I hope the situation changes, somehow.  I would like to teach in another creative writing program, for example–I taught for several summers in the one at University of Oxford.

Fiona: Who designs your covers?
I design all my own covers.  I have always dabbled in art and can muster up enough skill to put together a book cover, which is a part of the creative process I enjoy.  I see my books not just as manuscripts but complete packages, including the cover images and descriptions.  All of it matters.  All these pieces should fit together and form one smooth and pleasing whole.  I want to get the whole package exactly the way I want it.

Incidentally, this is the main reason I chose to be an indie author and publish my own books rather than having them traditionally published.  I don’t believe my books will ever get the same level of treatment by 9 to 5 employees of a Big 5 publishing house, for example.  People can argue with me all they want about this, but no one can convince me otherwise, I’ve been there.  At the end of the day, nobody is going to put the same amount of meticulous, loving energy and effort into a book as the author.  This is just common sense.  Your book is “your baby.”  For authors who do not have the skill set to publish and market their own books, traditional publishing is probably a good thing, or for people who are keen on getting awards and critical recognition.  For me, these latter accolades would be nice, but not worth the price I would have to pay giving up creative and marketing control.

Fiona: Do you have any advice for other writers?
I do, at least for new fiction writers:  learn as much as you can about DRAMA.  I think this is one of the best kept secrets to writing a good novel.  Most people read fiction to be entertained, and I think a lot of new authors miss that simple point.  Readers don’t read to be impressed by your vocabulary or your amazing ability to describe a sunset or babbling brook.  They want to be moved, emotionally.  This means catching the reader up in the drama of the story, with the conflicts that characters face with each other and within themselves.  If you want to write a good novel, yes, you should have a decent command of the English (or whatever) language, but study dramatic structure, know how to create and sustain narrative tension and keep the reader turing those pages to find out what happens next.

Fiona: Do you have anything specific that you want to say to your readers?
Yes, I thank each and every one of you from the bottom of my heart.  Without you, writing would be pointless.  I know some authors do not feel this way, but for me, unless I know there are people out there itching to get their hands on my next book, or unless I can at least pretend that there are such people out there, finding the motivation to fight my way through an entire novel would be nearly impossible.

Fiona: Other than writing do you have any hobbies ?
I love the outdoors and like swimming, cycling, running, hiking, scuba diving and a lot of other outdoor sports.

Fiona: What TV shows/films do you enjoy watching?
At the moment I completely addicted to Mad Men and House of Cards.

Fiona: Favorite foods / Colors/ Music
Italian/blue/jazz

Fiona: If you were not a writer what else would you like to have done?
I would like to have been the next best thing:  a roller coaster designer for theme parks

Thanks so much for interviewing me, Fiona!

READERS:  Stay tuned for the Wild Child 3 release and, after that, Lust, Money & Murder, Book 6! Both of these books will complete trilogies (Wild Child 1, 2 & 3 and Lust, Money & Murder 4, 5 & 6.  Also, both of these trilogies will be offered as three-book bundles.

Sunday, June 1, 2014

Interview with Audiobook Narrator Mark Torres

Mark Torres
Today I'm pleased to interview professional actor and audiobook voice artist Mark Torres, who narrated my romantic thriller, The Drive-By Wife.  Mark is now halfway through the narration of The Wrong Side of the Tracks. As feedback from my audiobook listeners has been fantastic, I thought listeners might want to know more about Mark, his background, and his narration process.  In the interview he also shares some interesting thoughts for authors who are considering putting their books in audio format.

Mark, can you tell us a little about yourself and your background? 
I trained as a stage actor at Temple University's Professional Actor Training Program where I received an MFA in acting.  I also hold a BA from Indiana University, where I majored in Theatre and Drama.  When I got out of school, I moved to New York City and was cast in the original cast of Amadeus which ran for three years.  I worked with Ian Mckellen, Tim Curry and Jane Seymour in the original cast.  I soon became interested in directing and began working as a director. I founded a small theatre called Moving Target Theatre Company and produced a number of plays in Brooklyn before moving the company to Dallas.  From there I went to Bangor, Maine to head Penobscot Theatre which I ran for 13 years.  I have now moved back to the New York City area and am once again working as a free lance actor and director.

What led you to start narrating audiobooks?
I have always had an affinity for spoken word communication.  Radio programs and old fashioned radio dramas have held a fascination for me.  When I began researching it as a career option, I was very excited to think I might be able to do it as part of my acting career.

What aspects of audiobook narration do you find the most challenging?
I had heard that recording audiobooks takes lots of personal stamina and I agree.  It takes mental, physical and vocal staying power.  I am often surprised at how much energy I seem to expend after a session of recording and editing.

What parts do you enjoy the most?
I love the to and fro of character to character dialogue, especially if it is witty as in lots of the fun exchanges in The Wrong Side of the Tracks or dramatic, as was the case in working on The Drive By Wife.

Do you have a studio in your home? 
Yes.  I have a recording booth with a standing desk in the guest room of our house (and I can disassemble it pretty quickly when we have guests.) 

Do you do your own editing?
I do my own editing and find that it is during editing that things like the pace of a scene can be addressed if, for instance, I didn't get it quite right when I recorded it.

What's your recording schedule like for given audiobook and how do you pace yourself?
It depends on my schedule.  For instance, with The Drive By Wife, I recorded all the sections and then took them with me to edit when I went out of town to act in a regional theatre production.  When I was not in rehearsal or performance for the play I was in my hotel suite with my headphones on editing the audiobook.

What talents/skills are required to be a good audiobook narrator?
In the case of both of Mike's books that I have worked on, I would say it is character differentiation.  With The Drive By Wife, getting the right tone for the character Billy.  He had to be menacing and yet have a kind of broad regional Appalachian dialect that could have been construed as comic or cartoonish.   With The Wrong Side of the Tracks, voicing the young people with their high school micro-cosmic social hierarchies and concerns also calls on the actor to play them earnestly without a hint of commentary.

Which character was your favorite to narrate in my books?
By far for me was Billy in The Drive By Wife.  Mike created a character whose inner psychological demons drove him to demand from his victims a lengthy and varied cat and mouse game played out over weeks and numerous colorful locales. 

What type of novels do you like to listen to/read yourself?
I enjoy contemporary fiction in both written and audiobook form. 

Do you have any advice for people who want to become audiobook narrators?
Remember that you are bringing the author's work to the listener's ear.  Try to do that while staying out of the way.

Do you have any advice for authors in hiring and working with audiobook narrators?
I would urge authors to consider that they are seeking storytellers, as opposed to someone with a "good" voice. 

Thanks, Mark!

Anyone interested in contacting Mark can do so here on his ACX page.

__________________________

Now in Audio! 
Note:  you can download any of the below FREE by becoming an Audible member on a no-risk 30 day trial basis.

The Drive-By Wife (Romantic Thriller)

ZD Audible  ZE A Amazon   ZG Apple iTunes  ZF Amazon UK
 
Lust, Money & Murder (International Thriller)

ZD Audible
  ZE A Amazon   ZG Apple iTunes  ZF Amazon UK

Baby Talk (Horror)

ZD Audible  ZE A Amazon  ZG Apple iTunes  ZF Amazon UK

The Mysterious Disappearance of Kurt Kramer (Paranormal Romance)


ZD Audible  ZE A Amazon  ZG Apple iTunes  ZF Amazon UK


Monday, June 3, 2013

How a Big, Burly Truck Driver Showed Up and Took My Story

Not long ago, a strange thing happened to me.   When I was smack in the middle of writing my latest novel, a huge, bearded, tattoo-clad truck driver showed up and made off with the whole damn thing.  Well, that’s not completely true—he actually forced me to rip the manuscript to pieces and write a completely different story...

About him.

The original book was a Silicon Valley thriller about a young, upper middle class couple who get in serious trouble with the mafia and have to go on the run.  The problem is, their marriage is in such bad shape that Cynthia would just as soon be on her own than stuck as a fugitive with her self-centered, workaholic husband. 

As they flee their beautiful San Francisco home, their only means of protection is an ancient .22 calibre Beretta that belonged to Allen’s father, which Allen has never even fired.  To test it out, they stop at an outdoor shooting range in Oakland.  Allen has zero experience with firearms and of course he wants to hide this from Cynthia.  Fortunately, the shooting range is deserted and no one is around to witness Allen’s bumbling lesson in marksmanship.

That's when Billy shows up, out of nowhere.  The quiet morning stillness is shattered by roar of an engine...a smoke-belching tractor-trailer rig pulls into the shooting range parking lot.  Not an entire truck—only the cab portion.   If the image that's air-brushed on the side of the driver's door isn’t enough to unnerve the young couple—a gibbering skull crowned by a ring of roses—the man who emerges from the monstrous vehicle is.  He seems as big as a mountain.  He's wearing a snakeskin cowboy hat, matching snakeskin boots, and is clad head-to-toe in faded denim.

Billy

“Howdy,” he mutters, from behind his thick, scraggly beard.  He proceeds to unload a veritable arsenal from his truck—pistols, rifles and shotguns.  

Allen turns back to Cynthia, trying to concentrate on teaching her how to shoot their little pistol, but he can feel the trucker just standing there, watching them with what Allen imagines is a kind of mocking amusement.

“Ya’ll don’t know much about guns, do ya?” the man finally says, in a thick Southern drawl.

“Ignore him,” Allen whispers to his wife, but it’s no use.  Billy  is already sauntering over to them.  Before Cynthia knows what's happening, he steps up behind her and encircles her with his thick arms.

“Darlin', you got to stand with yer legs more far apart, like this.”  Billy moves in a little closer, his head almost touching hers.  “That’ll give you a stable base.  See?”

Allen doesn’t like it one bit, being pushed aside, standing there watching his wife be all but fondled by this overbearing, redneck version of Santa Claus.

Billy tilts his head, looking down the line of sight with her, even closer now.  “Now, ya gotta aim real careful, keepin' your arms steady, and then you slowly pull back on the—”

“Get your hands off my wife,” Allen says.

Billy becomes perfectly still.

Cynthia is afraid to breathe, her torso wedged between the trucker’s beefy arms.  As his bearlike head slowly turns towards Allen, she could feel his whiskers scratching across the back of her neck.

“I said, get your hands off my wife.”

There is another long, tense moment.  The shooting range is so quiet you could only hear the sound of the breeze whispering through the trees.

Billy finally lowers his arms from around Cynthia, but not completely.

That’s when he looked at me.  Right past the two of them, straight at me, his brown eyes burning with an intensity that sent chills up my spine.

“Listen here, Mr. Writer-man.  You're gonna tell this story the way I want it told, see?  It ain't about no mafia, and it sure as hell ain't about no Sili-cone Valley.  This story about me.  Billy.   Billy Hunt.”  He paused, letting his words sink in.  “You got it, Writer-man?”

Oh, I got it.  I got perfectly.

I tore up everything I had written and started over again, madly writing down everything he said.

My new book is called The-Drive-By Wife, and it's supposed to be out by September.

At least, I sure hope it is.

That's what I promised Billy.